Finishing difficult paintings.  I think we all have one (or two or three) faced against a wall or at the back of a cupboard, those difficult paintings that we just can’t seem to face completing. In know that you know what I’m talking about.

Finishing difficult paintings.  I think we all have one (or two or three) faced against a wall or at the back of a cupboard, those difficult paintings that we just can’t seem to face completing. In know that you know what I’m talking about.

Finishing difficult paintings.  I think we all have one (or two or three) faced against a wall or at the back of a cupboard, those difficult paintings that we just can’t seem to face completing. In know that you know what I’m talking about.

Finishing difficult paintings.  I think we all have one (or two or three) faced against a wall or at the back of a cupboard, those difficult paintings that we just can’t seem to face completing. In know that you know what I’m talking about.

In today’s podcast episode once again sharing with you the audio component from my latest vlog over on YouTube that was released a few days ago. It’s a bit of a mixed bag of topics including how I grow my own botanical art samples and how I photograph them later in the studio for future reference. 

In today’s episode, I’m talking about how to create a compelling and cohesive body of artwork.  This episode audio was taken from the second half of my latest YouTube video titled “Studio Morning + How to kickstart a compelling body of artwork”.

It’s just me on the podcast today and I’m doing something a little different. I’m undertaking my Painting as a Practice challenge this month and I thought it would be fun to talk you through all the fantastic things that I’ve learned in the first week of my practice month about painting on timber panels and raw linen.

For today’s episode, Steph and I got together at the Old Butcher’s shop gallery here in Ballarat where my exhibition Autumnal Dreamscapes is currently happening. We recorded our very first live episode in front of what was meant to be a live audience. As it turned out, the only people that turned up were Steph, myself, the gallery owner Julie and my mate Amie who helps me in the studio sometimes! So as you can imagine, I kind of felt like crawling under a rock and hiding after.

In today’s episode, I’m chatting again with Steven Patterson, the CEO of one of my favourite paint brands, Derivan Matisse. Steven and I first chatted in episode 96, so if you’d like to hear more about his journey with this fabulous and innovative Australian paint brand, then be sure to go and check that out in the archives.

In today’s episode Steph and I are chatting about how our recent decision to pursue exhibiting our artwork has enriched our art practices in a variety of ways.

In today’s interview, I’m chatting with Irish-born, Sydney-based artist Marnie McKnight. I first fell in love with Marnie’s beautiful abstract expressionist artwork over on Blue Thumb.

In today’s episode, Steph and I are chatting through our processes with overcoming limiting beliefs we’ve held in the past and exploring opportunities that we once thought we’d left behind.

In today’s episode, I’m chatting with Sydney-based artist and surface designer Maggi McDonald. Known for her bold use of color and signature palette knife style, Maggi has always been creative.

I’m so happy to be back with today’s episode where Steph and I are unpacking the subject of collaborations. This can be a bit of a buzzword out there in the online world, but the reality is that collaboration can take on several different faces.

In today’s episode, I’m chatting with fellow Aussie artist Anna Price. Anna is a Sydney-based artist who began painting full-time in 2019 after craving time away from her screen-based interior design career.

In today’s episode, Steph and I are talking about teaching what you know as an artist. Steph talks about her experience teaching in-person workshops and delivering teaching for institutions. And I talk about my experience teaching in-person workshops, retreats and online courses.

In today’s episode I have a lovely interview with fellow Aussie artist Lizzie Alsop. Lizzie is a full time contemporary artist who works from her home studio on the Mornington Peninsula in Victoria. She’s been creative all her life and launched into her full time art career after a move to the coast fourteen years ago.

In today’s episode, Steph and I are chatting about unitasking vs. multitasking in our art practices and businesses.We dive deep into what I have specifically discovered during my ‘painting as a practice’ months- that unitasking for extended periods of time is generally when I make my best work. I’ve also discovered similar benefits of having extended periods of focus on other tasks such as making e-courses.

In today’s episode, Steph and I dive deep into the sometimes elusive question of what our art is truly about and what motivates its creation.

Anyone who has ever written an artist’s statement knows how tricky this question can be to answer, particularly when it comes to articulating it for the gatekeepers of the fine art world.

In today’s episode I’m on my own talking about some of my favourite books that I read over the summer holidays that have just passed here. There is a pretty big range in breadth of the books that I read, but the ones I talk about in today’s episode are all ones with a focus on creative inspiration in one way or another.